A young woman moves into a Paris apartment and discovers a storage room filled with the belongings of the previous owner, a certain Madeleine who died in her late nineties, and whose treasured possessions nobody seems to want. In an audacious act of journalism driven by personal curiosity and humane tenderness, Clara Beaudoux embarks on The Madeleine Project, documenting what she finds on Twitter with text and photographs, introducing the world to an unsung 20th century figure. Along the way, she uncovers a Parisian life indelibly marked by European history.
When Clara Beaudoux moved into an apartment in Paris, she was informed that she extra storage available elsewhere in the building. Accessing the storage, she found it full of the previous tenants belongings and, with their loves ones permission, she began to explore the contents, sharing her findings on Twitter and fascinating thousands with the mementos and snapshots of a woman's life in the 20th Century. This book collects those Twitter posts, along with some additional information regarding the author's journey to meet those who knew Madeline.
Telling the story through the Twitter posts is an interesting choice - it makes is a speedy read, and also a modern one - despite Madeline's story taking the reader back to the Second World War. It moved me rather unexpectedly - and the joy of using the Twitter snippets is that both the reader and the author can be genuinely surprised by new discoveries as they come along. Madeleine's life is a fascinating one, and and Beaudoux treats it with immense care and respect - the two seeming to form a friendship through the ages as the discoveries continue. Looking into the life of someone deceased is always tricky - but Beaudoux is careful never to be too intrusive - discoveries instead coming organically and with the blessings of Madeleine's loved ones - turning what could have been a ghoulish intrusion into a read that's uplifting, hopeful, and filled with a fierce kind of joy that left me smiling long after turning the pages. Many thanks to the publishers for the copy.